For Colored Girls Movie Review

Movie Name: For Colored Girls

Directed By: Tyler Perry

Starring: Thandie Newton, Whoopi Goldberg, Kerry Washington, Anika Noni Rose, Janet Jackson, Loretta Devine, Kimberly Elise, Phylicia Rashad, Tessa Thompson, Macy Gray

It’s too bad Tyler Perry couldn’t take a cue from his film’s title, which was chopped down from For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, the 1975 Ntozake Shange play upon which the film is based, to simply For Colored Girls. Just like his name attracts massive amounts of moviegoers, it works like a charm when it comes to casting, too. Yes, it’s thrilling to print a massive list of famous names on your roster, try to adapt an iconic play and express a hefty handful of heavy-duty messages, but when it came to actually making those elements thrive in a film, it proved to be far more than Perry could handle.

Phylicia Rashad is Gilda, the manager of a New York City apartment building and the unofficial housemother, especially when it comes to her next-door neighbor Tangie (Thandie Newton). Night after night Tangie brings a new guy back to her place and sends them packing early the next morning, however, her younger sister, Nyla (Tessa Thompson), is dealing with an entirely different situation. She’s thrilled about finally losing her virginity, but her world comes crashing down when she finds out she’s pregnant. Even worse? Her mother (Whoopi Goldberg) is entirely consumed by her religious beliefs and would only shun Nyla for her sin.

Then there’s Janet Jackson as the big time magazine editor with an attitude, Joanna. When she isn’t tossing folks seeking charitable donations like Juanita (Loretta Devine) out of her office, she’s busy bossing around her longtime assistant Crystal (Kimberly Elise). As if life at work isn’t hard enough, at home Crystal has to deal with her abusive husband and care for her two young children. Gilda’s got her eye on the situation and even takes it upon herself to summon a social services agent, Kelly (Kerry Washington). Kelly also ends up consoling Anika Noni Rose’s character, Yasmine, after a vicious sexual assault.

Clearly the roster is quite large and that’s For Colored Girls’ biggest problems; barely any of the characters are fully developed. Each and every one of them is dealing with a very real and serious problem, however, only a few manage to convey the severity of their situation to the point at which the audience can sympathize with their plight. When it comes to the rest, it’s just too hard to care.

The performances and dialogue are flat almost across the board. The drab begins right from the start when Perry delivers an awkward montage of his leading ladies as they recite Shange’s words, in voiceover, overlapping as it goes from one character to the next. The words completely lose their meaning thanks to the lifeless recitations and come across as preachy more than anything.

The words directly from Perry’s pen don’t fare well either. Every character’s situation is as formulaic as they come, which is primarily due to the fact that they’re extremely underdeveloped. Perry starts off fantastically, providing detailed introductions to each woman, but doesn’t seem to know where to go from there and when he hits that wall, just tosses the character into some devastating situation. Yasmine goes from an innocent dance teacher looking for the right man to a battered rape victim and while Nyla goes from a bubbly dance student to the victim of a shady and seemingly mentally unstable abortionist (Macy Gray). Perry certainly knows how to rip your heart out with these moments; if only he was capable of properly padding them so they came across as aiming for something more than sheer shock value.

For most of the film, every actress simply walks through, reading lines. They’re not trying to portray a character, merely convey some grandiose message that has no weight in the context of the film. The sole actress who is not only guaranteed to bring tears to your eyes, but hold your attention throughout the film, is Elise. Her character is quite subdued at the onset, but when she runs into her traumatizing situation, your heart will break right along with hers. The horrific nature of the moment is overwhelmingly powerful in and of itself, but it’s Elise’s honest performance that makes it that much more emotional. Thompson does quite well in her role as well, but the part of Nyla, like most of the characters, only strikes a chord when she’s down. The moment she overcomes her obstacle, she’s a bit of a bore.

It’s impossible to pin point one major problem with For Colored Girls for everything is just so-so at best. Perhaps Perry was just too concerned with shoving some extravagant point about the hardships faced by women of color in our faces because just about ever other element of the film is devastatingly weak. The majority of the action is missed thanks to poor camera work, the editing is sloppy, the performances are bland, the characters are stale and, to top it all off, Perry desperately tries to lift his fallen characters up by forcing all of their stories to converge so the film can end with a star-studded, but unintentionally silly group hug.

Technical: C+

Acting: C

Story: C-

Overall: C


Download Movie Online: For Colored Girls Movie 2010

For Colored Girls Movie 2010

For Colored GirlsMovie: For Colored Girls
Release Date: November 5, 2010
Studio: Lionsgate
Director: Tyler Perry
Screenwriter: Tyler Perry
Starring: Janet Jackson, Loretta Devine, Michael Ealy, Kimberly Elise, Omari Hardwick, Hill Harper, Thandie Newton, Phylicia Rashad, Anika Noni Rose, Tessa Thompson, Kerry Washington, Whoopi Goldberg, Macy Gray, Khalil Kain, Richard Lawson
Genre: Comedy, Drama
MPAA Rating: R (for some disturbing violence including a rape, sexual content and language)
Official Website: ForColoredGirlsmovie.com
Review: Not Available
DVD Review: Not Available
DVD: Not Available
Movie Poster: Available
Production Stills: Available

Plot Summary: “For Colored Girls” brings to the screen Ntozake Shange’s Obie Award-winning play, a poetic exploration of what is to be of color and a female in this world.

Trailer

The Princess And The Frog – Review

Disney’s latest movie is a beautiful work of art with a magical touch and a soul stirring soundtrack that made me realise how much I’d missed hand drawn animation in this brave new world of CG.

It was John Lasseter who refilled the inkwells and restocked the paint pots of Disney’s traditional hand drawn animation studios after their doors closed following the completion of 2004’s Home on the Range, and it was a bold move from a man who introduced the screening personally via a pre-recorded message. You’ll know the man and his works, and you should also know that he has an overwhelming passion for what he does: celebrating wonderful stories, beautifully told.

Princess and the Frog

The Princess and the Frog is a film that combines the very best of Disney’s talented storytellers, and you can practically feel the love that was poured into each frame of this film. I’m not sure whether it was the physical act of animating by hand, and certainly I’m not going to place this above the CG classics of Pixar, but there is a timeless quality to this film in the fairy tale narrative and the magical invention that the writers and animators place throughout that makes this film truly special.

I’ve become tired of lazy animated features that rely on celebrity voice-overs and anachronistic pop culture twists to engage the audience. No-one can spin a yarn like Disney, and this film is redolent of old-style Disney, who are capable of creating a funny, boisterous and thrilling romance that calls back to early classics such as Lady and the Tramp as well as the more recent Aladdin.

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The story is borrowed and adapted from E.D. Baker’s The Frog Princess and the scene is set in the glowing gloaming of New Orleans, and the town is alive with music and song. The central relationships are quickly built as we are introduced to Tiana (Anika Noni Rose) and Charlotte as children and their friendship straddles the poverty line with Charlotte’s wealthy ‘Big’ Daddy (John Goodman, perfect as usual) and Tiana’s humble family with big dreams. Charlotte wants to marry a Prince, Tiana wants to open a restaurant. It’s simple and as the years fly by in the opening credits we see that even as young adults Tiana and Charlotte haven’t changed all that much.

Enter Prince Naveen, a fiery, loquacious lothario who steps off the boat eager for an adventure and falls foul of a voodoo curse courtesy of Dr. Facilier and is transformed into a frog. Circumstance conspires and Tiana kisses the frog and, contrary to popular legend is herself transformed into a frog. So begins their quest to return to human form and, along the way, perhaps fall in love. This is a Disney film after all, and I won’t go into the details of what happens, suffice to say that even though you know where the film is going the fluidity and zest of the script results in a perfectly paced fantasy adventure; following the Disney formula has never been so much fun.

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I loved the songs, the spirit of New Orleans captured perfectly and every sparkling tune manages to rise above the morally didactic standard. In particular the bayou sequences are charming and the characters they introduce (a jazz loving gator named Louis and a lovesick firefly named Ray) are instantly lovable companions to the amphibious couple of Tiana and her Prince. Overcoming obstacles and escaping dangers the merry gang bond and discover their heart’s desires with great dialogue and proper old school slapstick. This is like a greatest hits of Disney and it manages to be refreshing and familiar without being derivative – no mean feat, and a testament to Lasseter’s faith in his hand picked writers and directors John Musker and Ron Clements.

The perils are real and the shadowy voodoo monsters are genuinely scary, perhaps a little too much for younger children, but in my experience this is a good thing and kids love to be as scared as thrilled during the course of the film. Every actor does a great job, by sheer coincidence I watched Dreamgirls the night before I saw this film and Anika Noni Rose shines just as brightly here, able to convey a pitch perfect performance as Disney’s latest addition to their Princess stable. Bruno Campos as the Prince and Keith David as the sinister Shadow Man are excellent and embody the black and white of their respective characters with just the right hint of shades of grey.

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The animation I’ve touched upon but I wanted to reiterate the magnificent work done by Disney’s animators. Watching Snow White gives a good indication of the care and expertise of Disney’s earliest feature animators and the standard of work has survived the decades in-between. The animation has a grace rarely seen on the big screen and in the era, when we are deluged by animated features, it is a rare thing to be sat amazed at the quality of work on screen.

Disney have created a film that is as impressive in its execution and inventiveness as it is in its charm. There are moments in this film, such as the chorus of fireflies and the final chase through the graveyard that will sweep you up, and while the film’s plot won’t surprise anyone it is the wonderful combination of craftsmanship and showmanship on the part of Disney that has created a stunning work, to be enjoyed time and again.

Disney’s The Princess and the Frog is out in the US on the 11th of December, UK readers will have to wait until the 5th of February to catch this gem.




Exclusive Interview with Anika Noni Rose – Tiana in The Princess and the Frog

Here’s the third and final exclusive interview that we gave for The Princess and the Frog which is out in UK cinemas today! Part one with Andreas Deja can be found here and part 2 with Directors, John Musker and Ron Clements here.

The movie is the first hand drawn animation for 10 odd years from Disney Animation Studios and it was so nice to see the medioum brought back after such a long break. You can read our review here but suffice to say, you won’t be disappointed.

I was lucky enough to meet Anika Noni Rose, a real life Disney Princess who plays Tiana in the movie. I ask her how she prepared for the role, how she reacted when she found out she got the part and what it was like to work for the Mouse House and where she draws her inspiration from.

Part One of the interviews with Andreas Deja (Supervising Animator for Mama Odie) can be found here and part two with directors, John Musker and Ron Clements can be found here.

[ Source : HeyUGuys.co.uk ]

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